Last week Ayesha and Tonya were working in the studios with their beautiful daughters on a research and development project in collaboration with long term Echo Echo colleague and friend Maria Svensson (via zoom!).
|We asked Maria about the project:|
” I was originally awarded a bursary from the Arts Council of Ireland to research and develop a new dance piece for children, together with Ayesha Mailey, and to take time to up-skill my ‘Poetic Movement’ practice. The plan was to work both in the Echo Echo studios and in Culturlann Sweeney in Kilkee County Clare thanks to support from Clare County Council. As part of the bursary I would also attend the Baboró International Festival for Children in Galway. However, when I applied for the bursary I didn’t know I was about to get pregnant or that we would be experiencing a world-wide pandemic! Therefore, due to Covid restrictions and the reality of nursing a newborn baby, I had to rethink my bursary plans. Ayesha came up with the idea of me taking more of a director role which made a lot of sense.”
“I then had the idea of Ayesha working together with her daughter Naya, continuing a process I started in November 2020 when I was granted a HATCH 2020 Award from Dance Ireland. This award supported me to make a short video together with my seven year old friend Rosie Mc Hale Noone called Amongst Angels and Butterflies. In the video myself and Rosie move on a big bed sheet using crayons. This idea came from a piece I did for Cruinniú na nÓg 2020 funded by Creative Ireland Clare, which came from working together with visual artist Regina Carbayo as part of BEAG at Graffiti Theatre Company in Cork. Together myself and Regina created a short piece for children aged 0-3 called Paper-Pond Play. As part of the piece myself and Regina would use crayons, movement and sounds to unfold a simple story on a big sheet of paper. The children would then be invited to join us on the paper. I also created a piece using a similar idea with a group of students from Ardfert National School called Movement on Canvas which was performed outside the tourist office in Tralee as part of Cruinniú na nÓg 2018.”
“After speaking to Ayesha about having her daughter Naya join her, Ayesha suggested asking Tonya and her two girls Mira and Dara if they would also like to be part of the project which I thought was brilliant. I would join in via zoom. Because we share the same poetic movement approach I find that Ayesha and Tonya get me, and what it is that I’m interested in. Naya, Mira and Dara are all experienced dancers and also extremely talented which is helpful as the process is very short. It’s just beautiful to see them all at work. So far nursing my wee baby boy whilst directing these intuitive and brilliant dancers works really well and I’m excited to share our work soon with an audience in Derry as well as Clare, and perhaps with even more people thanks to technology.
The piece doesn’t have a title as such yet but so far we’re using the term ‘Painting the Canvas’ which I’ve taken from dance artist Kirstie Simson. I love her work and the idea of painting the space with your movements.”
To read more about Maria Svensson’s work please see: www.mariasvensson.com
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